A follow-up to two highly successful monographs (1988 and 1994) on
the work of the most important British designer of his generation,
showcasing projects from the past twenty-five years of his career.
Ever since defining the look of the 1980s music scene as art
director of the Face, Neville Brody has been one of the most
consistently innovative and shape-shifting graphic designers of the
past fifty years. Since his second monograph was published in 1994,
he has produced a body of editorial, typographic, information and
interface design of unparalleled boldness and sophistication for
global clients that include Samsung, Shiseido, Coca-Cola, the UK's
Channel 4 and Dom Perignon.The Graphic Language of Neville Brody 3
brings twenty-five years of work together in thematic sections that
address the key fields of his vibrant design projects, including
typographic experimentation, information graphics, cultural
subversion and design systems. Richly illustrated, each project is
explored in detail, revealing the work that has defined Brody's
recent career across six chapters, from major brands to magazine
editorials and features, revealing how Brody's design language has
evolved since the 1990s. Many young designers working today,
digital natives included, may not yet have been exposed to Brody's
design genius at a time when the originality of work from the 1980s
and 1990s across many creative disciplines is finding a new
generation of fans.This inspirational volume will be essential
reading for anyone interested in the evolution of graphic design
over the past three decades.
Na brehu Ženevského jazera stojí zámok Atlantis, v ktorom sa
schádza 7 sestier, aby pochovali svojho nevlastného otca. Jeho
posledná vôľa však obsahuje niečo, čo ich všetky prekvapí. Dozvedia
sa, v ktorej krajine majú hľadať svoj skutočný pôvod. Maia, ktorá
je prvou zo sestier, neváha a rozhodne sa vypátrať, kým je a kam
patrí. Pátranie po jej osude ju zavedie do slnkom zaliateho Rio de
Janeira, do starobylej vily, kde objaví informácie o žene menom
Izabela Bonifacio. Práve Izabela žila v dome na začiatku 20.
storočia a patrila k najvyššej vrstve miestnej smotánky. Maia sa
ponorí do neuveriteľného životného príbehu Izabely a popri tom
rozplieta aj svoj vlastný.
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