degas and his
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Krátky popis
Never before translated into English, the text’s original
publication in Mercure de France in 1919, shortly after the
artist’s death, has been treated as an important account of the
master sculptor at work. We know that Alice was writing under a
pseudonym, but who the real person behind this account was remains
a mystery ? to this day nothing is known about her. Yet, the
descriptions seem too accurate to be ignored, the anecdotes too
spot - on to discount, even the dialogue captures the artist’s tone
and mannerisms. What is found in these pages is at times a woman’s
flirtatious recollection of a bizarre “artistic type” and at others
a moving attempt to connect with a great, often tragic man. The
descriptions are l impid, unburdened, the dialogue is lively and
intimate, not unlike reading the very best kind of gossip, with
world - historical significance. Here in these dusty studios, Degas
is alive, running hands over clay, complaining about his eyes,
denigrating the o ther artists around him, and whispering
salaciously to his model. And during his mood swings, we see
reflected the model’s innocence and confusion, her pain at being
misunderstood and finally rejected. It is an intimate portrait of a
moment in a great arti st’s life, a sort of Bildungsroman in which
his model (whoever she may be) does not emerge unscatheded
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