Josef Albers: Midnight and Moon
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Highlighting the rich diversity of effects Albers drew from a
narrow range of colors, this publication is based around the
groundbreaking Homage to the Square (A) (1950), the inaugural
painting in the series that would occupy the artist until his death
in 1976. The pairing of two palettes ? black, white, and grey and
an array of yellows ? stems in part from Albers’s 1964 series of
lithographs, Midnight and Noon , which b rought together these two
opposing color sets in a single portfolio. Together they address
the limitless possibilities the artist found in color and form.
Opening with an introduction by Nicholas Fox Weber, Executive
Director of the Josef and Anni Albers Foundation, that
contextualizes these works and their color palettes, this volume
also includes Elaine de Kooning’s historic text on Homage to the
Square and Albers’s own writing on the subject. Published on the
occasion of exhibitions at David Zwirner’s New York and London
galleries in 2016 and 2017, this beautifully illustrated
publication looks at one of the most influential abstract painters
of the twentieth century.
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