Wreckers sinks the old narratives of imperialism, revealing the
violent, chaotic and improvised reality of empire-building from the
fifteenth to seventeenth centuries. While figures such as
Christopher Columbus, Vasco da Gama and Ferdinand Magellan are
celebrated for their maritime achievements – reaching the Americas,
India, and circumnavigating the globe – focusing solely on these
voyages distorts our perspective on the past. Many explorers ended
up as castaways, clinging to the splintered timbers of their
wrecked ships, while those who survived often faced resistance and
ridicule from indigenous communities across the globe.Drawing on
maritime stories from various languages and continents – from
Brazil and Southeast Africa to India and the Philippines – Wreckers
shares dramatic tales of the sea and the events on land that
followed. This offers an alternative timeline for the century after
Columbus’ 1492 voyage and sheds light on the fractures and fault
lines that accompanied the increasing geographical range of
European ships. Simon Park argues that even when Europeans
arrogantly claimed their own superiority, the truth was that they
were often driven by a profound sense of greed and envy, and their
actions included numerous mishaps.For example, in his hunt for
gold, Martin Frobisher – who fancied himself England’s Columbus and
Cortés combined – transported worthless rocks across the Atlantic
by the tonne. In the search for spices, Captain and profiteer
Manuel de Sousa de Sepúlveda’s ship was so overladen, it spewed its
fragrant cargo when it crashed off the coast of South Africa.
Moreover, in every place they went, Europeans depended on local
know-how and goodwill – relying on indigenous knowledge of
languages, geography, food and medicines.Wreckers reveals the
precarious balance between imperious European powers, cunning
locals who colluded to further their own agendas, and others who
showed great tenacity in their resistance to European incursions.
By focusing on stories of failure, defiance and comeuppance,
Wreckers – a term Park uses to refer both to those who were wrecked
and those involved in wrecking – offers a gripping and original
account of a tumultuous period. It challenges the notion of
unstoppable European dominance and enables a reimagining of history
as a space of possibilities then, now and in the future.
Je ťažké nájsť samého seba a na svete je naozaj množstvo ľudí,
ktorí to nikdy nedokážu. Ally d'Apliese sa však rozhodne, že si
nenechá utiecť život pomedzi prsty. Je rozhodnutá zistiť, kým je, a
tak nasmeruje svoju cestu k mrazivému severu, dostala totiž
indíciu, aby jej hľadanie išlo ľahšie. Tou indíciou je životopis
nórskeho hudobného skladateľa, ktorý žil v 19. storočí. Po príchode
do Nórska ju okúzli hudobný svet, ktorý je s jej životom spojený
viac, ako doteraz tušila. Jej osud sa však začne rozmotávať až
vtedy, keď narazí na Annu Ladvik, nie príliš slávnu speváčku, ktorá
vystúpila v prvom predstavení Griegovej legendárnej hudby na motívy
Ibsenovho Peera Gynta. Až vďaka nej začne Ally rozumieť tomu, kým
vlastne je.
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