Trespass. A History of Uncommissioned Urban Art

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Made in collaboration with its featured artists, Trespass traces the rise and global reach of graffiti and urban art, not just as a fringe visual movement but as a social phenomenon and central expression of youth.With an exclusive preface from Banksy, Trespass, now available as a popular Reader's Edition, presents the full historical sweep, international spread, and technical developments of the street art movement. Featuring key works by 150 artists, it connectsfour generations of street practitioners, incoporating both niche artists such asMiss Van and noteworthy names as Jean Tinguely, Keith Haring, Barbara Kruger, Jenny Holzer, Gordon Matta-Clark, Billboard Liberation Front, Guerrilla Girls, and Banksy.The book is set out in thematic chapters that engage with the central theme of 'trespassing'. While images of the works are allowed to speak for themselves, each theme is prefaced by a brief essay to provide thought-provoking context to the history, politics, protest, and illicit performance of self-expression in the social space. Writers include Anne Pasternak (director of public arts fund Creative Time) and civil rights lawyer Tony Serra.The author Carlo McCormick is a pop culture critic, curator and Senior Editor of Paper magazine. His numerous books, monographs and catalogs include Beautiful Losers: Contemporary Art and Street Culture, The Downtown Book: The New York Art Scene 1974-1984, andDondi White: Style Master General. His work has appeared in Art in America, Art News,Artforum and many other publications.The curator Marc &,amp, Sara Schiller founded Wooster Collective in 2001, a website that celebrates and plays a crucial role in documenting otherwise ephemeral street art. Based in New York City, the collective curated most of the contemporary images in Trespass. Its ",Wooster On Paper", series presents the work of international artists in limited edition books.The editor Ethel Seno received her BA in the College of Letters from Wesleyan University before teaming with TASCHEN, where she worked with William Claxton on Jazzlife and New Orleans 1960, and David LaChapelle on Artists &,amp, Prostitutes and Heaven to Hell. Having grown up in Tokyo, she feels most at home in urban environments and currently resides in Los Angeles.

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Egomaniak
Mladá psychologička Emerie sa práve udomácňuje vo svojej novoprenajatej newyorskej kancelárii, keď ju prepadne akýsi chlap. Emerie ho považuje za vlamača, no vysvitne, že tým nepozvaným hosťom je v skutočnosti ona. Nóbl kancelária patrí právnikovi Drewovi Jaggerovi, a kým dovolenkoval na Havaji, jeho priestory prenajal Emerie nejaký falošný realitný agent. Na druhý deň, po výsluchu na policajnej stanici, sa Drew nad ryšavkou zľutuje a dá jej ponuku, ktorá sa v jej zlej finančnej situácii neodmieta – môže zostať v jeho kancelárii, kým si nenájde iné miesto, výmenou za pomoc pri dvíhaní telefónov. Emerie by mala byť vďačná a držať jazyk za zubami, lenže keď počuje, aké rady rozdáva tento rozvodový právnik klientom, ide ju roztrhať. Emerie je totiž manželská poradkyňa a vzťahy napráva, nie rozvracia. Lenže Drew je nafúkaný, arogantný, samoľúby chlap, nadšený sám zo seba, a tak sa napätie medzi nimi stupňuje. Bože, keby aspoň nebol taký príťažlivý! Z anglického originálu Egomaniac (EverAfter Romance, New York 2017) preložila Veronika Lovich.