Toward a Concrete Utopia
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Krátky popis
In Yugoslavia's ",Third Way", architecture, Brutalism meets the
fantasticalSqueezed between the two rival Cold War blocs, Yugoslav
architecture consistently adhered to a modernist trajectory. As a
founding nation of the Non-Aligned Movement, Yugoslavia became a
major exporter of modernist architecture to Africa and the Middle
East in a postcolonial world. By merging a variety of local
traditions and contemporary international influences in the context
of a unique Yugoslav brand of socialism, often described as the
",Third Way,", local architects produced a veritable ",parallel
universe", of modern architecture during the 45 years of the
country's existence. This remarkable body of work has sparked
recurrent international interest, yet a rigorous interpretative
study never materialized in the United States until now.Published
in conjunction with a major exhibition on the architectural
production of Yugoslavia between 1948 and 1980, this is the first
publication to showcase an understudied but important body of
modernist architecture. Featuring new scholarship and previously
unpublished archival materials, this richly illustrated publication
sheds light on key ideological concepts of Yugoslav architecture,
urbanism and society by delving into the exceptional projects and
key figures of the era, among them Bogdan Bogdanovic, Zoran
Bojovic, Drago Galic, Janko Konstantinov, Georgi Konstantinovski,
Niko Kralj, Boris Magas, Juraj Neidhardt, Joze Plecnik, Svetlana
Kana Radevic, Edvard Ravnikar, Vjenceslav Richter, Milica Steric,
Ivan Straus and Zlatko Ugljen.
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