'A brilliant work of intellectual interpretation by our foremost
historian of Enlightenment ideas. Whatmore rescues the
Enlightenment from today's circular debates and places it where it
belongs: in the pulsing, chaotic era of its genesis and demise'
Christopher de BellaigueThe Enlightenment is popularly seen as the
Age of Reason, a key moment in human history when ideals such as
freedom, progress, natural rights and constitutional government
prevailed. In this radical re-evaluation, historian Richard
Whatmore shows why, for many at its centre, the Enlightenment was a
profound failure.By the early eighteenth century, hope was
widespread that Enlightenment could be coupled with toleration, the
progress of commerce and the end of the fanatic wars of religion
that were destroying Europe. At its heart was the battle to
establish and maintain liberty in free states – and the hope that
absolute monarchies such as France and free states like Britain
might even subsist together, equally respectful of civil liberties.
Yet all of this collapsed when states pursued wealth and empire by
means of war.Xenophobia was rife and liberty itself turned fanatic.
The End of Enlightenment traces the changing perspectives of
economists, philosophers, politicians and polemicists around the
world, including figures as diverse as David Hume, Adam Smith,
Edmund Burke and Mary Wollstonecraft. They had strived to replace
superstition with reason, but witnessed instead terror and
revolution, corruption, gross commercial excess and the continued
growth of violent colonialism.Returning us to these tumultuous
events and ideas, and digging deep into the thought of the men and
women who defined their age, Whatmore offers a lucid exploration of
disillusion and intellectual transformation, a brilliant meditation
on our continued assumptions about the past, and a glimpse of the
different ways our world might be structured - especially as the
problems addressed at the end of Enlightenment are still with us
today.
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Je ťažké nájsť samého seba a na svete je naozaj množstvo ľudí,
ktorí to nikdy nedokážu. Ally d'Apliese sa však rozhodne, že si
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nórskeho hudobného skladateľa, ktorý žil v 19. storočí. Po príchode
do Nórska ju okúzli hudobný svet, ktorý je s jej životom spojený
viac, ako doteraz tušila. Jej osud sa však začne rozmotávať až
vtedy, keď narazí na Annu Ladvik, nie príliš slávnu speváčku, ktorá
vystúpila v prvom predstavení Griegovej legendárnej hudby na motívy
Ibsenovho Peera Gynta. Až vďaka nej začne Ally rozumieť tomu, kým
vlastne je.
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