Stano Filko is considered as an influential utopian and polyartist,
who understood art and life universally and cosmologically as a
unity beyond geographical attributions of East and West. Filko was
one of the most important representatives of the Central European
neo-avant-gardes, whose work has remained current. Early on, he
designed hybrid objects and environments, extending them into
unfamiliar terrains with his basic conceptual approach.Again and
again, the focus of the work changes: assemblages are followed by
text-based works and performances that attempt to circumvent state
repression, and later by large-scale gestural painting,
characterized by artistic self-assertion, and finally by a final
phase, which he dedicates to his increasingly complex ",System
SF",. The publication approaches the multi-layered oeuvre from
various perspectives and takes a fresh look at this exuberant
oeuvre. After achievements in the 1960s, Stano Filko (1937-2015)
became persona non grata as a result of the Prague Spring, which
led to a daring escape from the ",Eastern Bloc",, his participation
in Documenta, and him eventually moving to New York.After the fall
of the Berlin Wall, he returned to Bratislava and transformed the
studio house Snezienkova into a multi-dimensional, colorful
",gesamtkunstwerk",.
Zuby jsou zrcadlem našeho tělesného i duševního zdraví. Ukládají se
v nich vzpomínky na prožité události a traumata. Autorka - zubní
lékařka tvrdí, že zubní kaz odráží vztahy mezi stavem našeho chrupu
a naším citovým životem. Vysvětluje, co znamenají kazy a různé vady
na jednotlivých zubech.
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