Lindbergh, Shadows on the Wall
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“What is merely beautiful has always bored me. I’m interested in
what is powerful and real.” —Peter LindberghWith such credits as
shooting the first American&,nbsp,Vogue&,nbsp,cover under
Editor-in-Chief Anna Wintour, bringing together for the first time
a group of young women who would become the&,nbsp,’90s
supermodels, and numerous&,nbsp,solo exhibitions at
world-renowned institutions&,nbsp,including
the&,nbsp,Pushkin Museum&,nbsp,in Moscow,
the&,nbsp,Ullens Center
for&,nbsp,Contemporary&,nbsp,Art&,nbsp,in Beijing, and
the&,nbsp,Gagosian&,nbsp,in London,&,nbsp,Peter
Lindbergh&,nbsp,is a master of his craft who has made his mark
in the halls of&,nbsp,photography history.The industry quickly
became enamored with his almost anti-fashion
photography,&,nbsp,capturing the zeitgeist and the spirit of
his subjects&,nbsp,rather than pursuing today’s search for
perfection, which he considers inhuman.Handpicked
from&,nbsp,37,000 unreleased photos from his groundbreaking
2017&,nbsp,Pirelli&,nbsp,calendar shoot, Lindbergh offers
an intimate insight into a pool of extraordinary
talent:&,nbsp,Nicole Kidman,&,nbsp,Julianne
Moore,&,nbsp,Alicia Vikander,&,nbsp,Charlotte Rampling,Dame
Helen Mirren,&,nbsp,Jessica Chastain,&,nbsp,Kate
Winslet,&,nbsp,Léa Seydoux,&,nbsp,Lupita
Nyong’o,&,nbsp,Penélope Cruz,&,nbsp,Robin
Wright,&,nbsp,Rooney Mara,&,nbsp,Uma Thurman,
and&,nbsp,Zhang Ziyi.His message is simple. These intimate
images represent a different kind of beauty, far away from
society’s obsession with youth and perfection, one which is
concerned with&,nbsp,individuality, the courage to be yourself,
and your very own sensibility.