eter Grant is not just a lowly Detective Constable, he's also
apprenticed to the last wizard in Britain: policing will never be
the same again! I was my dad's vinyl-wallah: I changed his records
while he lounged around drinking tea, and that's how I know my Argo
from my Tempo. And it's why, when Dr Walid called me to the morgue
to listen to a corpse, I recognised the tune it was playing.
Something violently supernatural had happened to the victim, strong
enough to leave its imprint like a wax cylinder recording. Cyrus
Wilkinson, part-time jazz saxophonist and full-time accountant, had
apparently dropped dead of a heart attack just after finishing a
gig in a Soho jazz club. He wasn't the first. No one was going to
let me exhume corpses to see if they were playing my tune, so it
was back to old-fashioned legwork, starting in Soho, the heart of
the scene. I didn't trust the lovely Simone, Cyrus' ex-lover,
professional jazz kitten and as inviting as a Rubens' portrait, but
I needed her help: there were monsters stalking Soho, creatures
feeding off that special gift that separates the great musician
from someone who can raise a decent tune. What they take is beauty.
What they leave behind is sickness, failure and broken lives.
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