Drawing is not a myth, but a tool, a means of gaining knowledge and
the basis for illustrative and artistic pictorial expressionsHow
pictures can be used to tell a story, how are they made, and how
the head and the hand collaborate in the creative process? Just as
each image is unique, so are the individual intentions of the
artists. The technical craftsmanship of HOW is as much a decisive
criterion for the quality of an image as its contextual WHAT.In
addition to all depiction methods, rules of design, and phenomena
of perception, a number of additional factors are important in
making convincingly narrated images.This book invites readers to
question the world with alert eyes, to discard conventions and to
open up to other ways of thinking and new ways of seeing and
approaching things: to dare to be playful and ready for any kind of
experiment, to ultimately throw all rules overboard in order to
find their very own artistic individuality. The author's approach
is not so much a step-by-step instruction with template-like
schemes, instead it focuses on the intrinsic logic of things, their
connections and relations, and the link between presentation and
design.
Deviaty zväzok edície Dejiny Slovenska vpríbehoch
adesiatich zväzkoch. Rozpráva oporážke Osmanov
avyhnaní posledného Turka zo Slovenska. Na pozadí osmanských
vojen rozpráva dejiny stavovských povstaní. Kniha je štvorfarebná
abohato ilustrovaná farebnými fotografiami
ačiernobielymi historickými grafikami.
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