Merce Cunningham
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Krátky popis
This volume, published in conjunction with the Walker Art Center
and MCA Chicago exhibition ‘Merce Cunningham: Common Time’ (8
February – 10 September 2017), reconsiders the choreographer and
his collaborators as an extraordinarily generative
interdisciplinary network that preceded and predicted dramatic
shifts in performance praxis, including the development of
site-specific dance, the use of technology as a choreographic tool,
and the radical separation of sound and movement in dance. It
features ten new essays by curators and historians of music, art
history, performance studies and dance as well as interviews with
contemporary choreographers – Beth Gill, Maria Hassabi, Rashaun
Mitchell and Silas Riener – who address Cunningham’s continued
influence. These are supplemented by numerous rarely published
archival photographs, reprints of texts by Cunningham, Cage and
other key dancers, artists and scholars, several detailed
appendices, and an extensive illustrated chronology placing
Cunningham’s activities and those of his collaborators in the
context of the 20th century, particularly the expanded arts scene
of the 1960s and 1970s. This book is an essential volume for anyone
interested in contemporary art, music, and dance.
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