Janko Kráľ - I was Not Born for Quiet
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Krátky popis
Thanks to Janko Kráľ, as John Minahane has written, the Váh is
Slovakia’s most mystical river. Again and again the poet returns to
his community via that flagship poem of Slovak romanticism, The
Enchanted Maiden in the Váh and Odd Johnny. Characteristic in
Kráľ’s poetry is his focus on the inward side of events and
stories, turned inside out, since one has to turn one’s clothing
inside out/ and leap in the middle of the Váh. By this means,
metaphysical space is opened. There the spirit is so blended
together with reality that it becomes possible to break the spell
on the maiden (motherland) in the river Lethe, which is life’s
inverted clepsydra. Time always freshly poses the question, which
young man wants to give body to his thought. And what unwinds from
that is not only a defiant faith in the mission of poetry, but also
Janko Kráľ’s courage to stand up for the language and national
rights of Slovaks in 1848. To give the time a face where our
identity is mirrored. To this day we do not know exactly how Janko
Kráľ looked in reality. Using the surviving descriptions of Kráľ’s
appearance, he therefore created a metaphysical portrait with the
digital tool Metahuman Creator, which is designed for creating
figures for video games. Subsequently he placed this virtual figure
in a ontemporary context, in the form of manipulated photographs
from the mass media.
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