How do we accommodate a growing urban population in a way that is
sustainable, equitable, and inviting? This question is becoming
increasingly urgent as we face diminishing fossil-fuel resources
and the effects of a changing climate while global cities continue
to compete to be the most vibrant centres of culture, knowledge,
and finance. Jan Gehl has been examining this question since the
1960s, when few urban designers or planners were thinking about
designing cities for people. But given the unpredictable, complex
and ephemeral nature of life in cities, how can we best design
public infrastructure - vital to cities for getting for place to
place, or staying in place - for human use? Studying city life and
understanding the factors that encourage or discourage use is the
key to designing inviting public space.In How to Study Public Life
Jan Gehl and Birgitte Svarre draw from their combined experience of
over 50 years to provide a history of public-life study as well as
methods and tools necessary to recapture city life as an important
planning dimension. This type of systematic study began in earnest
in the 1960s, when several researchers and journalists on different
continents criticized urban planning for having forgotten life in
the city. City life studies provide knowledge about human behaviour
in the built environment in an attempt to put it on an equal
footing with knowledge about urban elements such as buildings and
transport systems.Studies can be used as input in the
decision-making process, as part of overall planning, or in
designing individual projects such as streets, squares or parks.
The original goal is still the goal today: to recapture city life
as an important planning dimension. Anyone interested in improving
city life will find inspiration, tools, and examples in this
invaluable guide.
Je ťažké nájsť samého seba a na svete je naozaj množstvo ľudí,
ktorí to nikdy nedokážu. Ally d'Apliese sa však rozhodne, že si
nenechá utiecť život pomedzi prsty. Je rozhodnutá zistiť, kým je, a
tak nasmeruje svoju cestu k mrazivému severu, dostala totiž
indíciu, aby jej hľadanie išlo ľahšie. Tou indíciou je životopis
nórskeho hudobného skladateľa, ktorý žil v 19. storočí. Po príchode
do Nórska ju okúzli hudobný svet, ktorý je s jej životom spojený
viac, ako doteraz tušila. Jej osud sa však začne rozmotávať až
vtedy, keď narazí na Annu Ladvik, nie príliš slávnu speváčku, ktorá
vystúpila v prvom predstavení Griegovej legendárnej hudby na motívy
Ibsenovho Peera Gynta. Až vďaka nej začne Ally rozumieť tomu, kým
vlastne je.
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