Hailed as one of the most significant figures of early Modernism
and at the same time condemned for his work and his morals – the
discussion about Gauguin, his art and his character is still
relevant today. Especially at a time where #MeToo is shedding new
light on Gauguin’s relationship with adolescent girls and his share
in colonialism in French Polynesia. Gauguin – The Master, the
Monster and the Myth is the first in-depth biography about the
artist written by a Danish writer. The publication shares new
insights about Gauguin – about his complex character as an artist
and a human being. It challenges the traditional ideas we have
about his life and work. Flemming Friborg unfolds the fascinating
story about Gauguin’s life and the millieu of Impressionism that he
was a part of but also at the same time distinguishing himself
from. The book shows how his method and moral was bound in a
carefully maintained, personal brand and therefore the master and
the monster must be seen as inseparable – and therefore, as a
result of this, Gaugain’s legacy and status as a genius artist
remains unclear.
V roce 1997 zažil Richard Bartlett posun ve vnímání, který dal
celému jeho životu nový směr. Zjistil, že slabý dotek spojený s
cíleným záměrem stačí na to, aby jeho klienti znovu nabyli
fyzickou, duševní, a dokonce i duchovní rovnováhu. Výsledky byly
zcela mimořádné – a stále se vzpírají logice. Dr. Bartlett čerpá ze
zdrojů kvantové fyziky a jeho cílem je poskytnout nástroje, naději
a přímou a osobní transformaci komukoliv, kdo je otevřen novým
vjemům.
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