A vivid showcase of work by more than thirty of the world's leading
contemporary female documentary photographers. The photographic
industry - its exhibitions, galleries, publications and auctions -
employs thousands of women, but champions mostly men. To begin to
redress the balance, here is a timely presentation of the work of
over 30 female photographers working today.This book is
predominantly a celebration of some of the most inquisitive,
intelligent and daring photography being created now. The stories
the photographers tell are the most pressing social, political and
personal issues seen through the female lens. Firecracker,
established in 2011 by Fiona Rogers, is a platform dedicated to
supporting female photographers worldwide by showcasing their
work.Building upon Firecracker's foundations, this book brings
together photography that encompasses an eclectic variety of
styles, techniques and locations, from Alma Haser's futuristic
series of portraits that use origami to create 3D sculptures within
the frame, to Laura El-Tantawy's filmic and intensely personal
series on political protest in Cairo. There is a recurring theme
throughout the book that serves to unite these extraordinary women
and their work: the exploration of marginalized individuals and
under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max
Houghton offer insightful and expert authorship and curation.In
their respective, well-established roles in the industry they
understand, influence and advocate for contemporary documentary
photography today.
Na brehu Ženevského jazera stojí zámok Atlantis, v ktorom sa
schádza 7 sestier, aby pochovali svojho nevlastného otca. Jeho
posledná vôľa však obsahuje niečo, čo ich všetky prekvapí. Dozvedia
sa, v ktorej krajine majú hľadať svoj skutočný pôvod. Maia, ktorá
je prvou zo sestier, neváha a rozhodne sa vypátrať, kým je a kam
patrí. Pátranie po jej osude ju zavedie do slnkom zaliateho Rio de
Janeira, do starobylej vily, kde objaví informácie o žene menom
Izabela Bonifacio. Práve Izabela žila v dome na začiatku 20.
storočia a patrila k najvyššej vrstve miestnej smotánky. Maia sa
ponorí do neuveriteľného životného príbehu Izabely a popri tom
rozplieta aj svoj vlastný.
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