Two stunning, intensely powerful modern classics about race in 20th
century America from the legendary Pulitzer Prize and Tony
Award-winning playwright August Wilson'In his work, August Wilson
depicted the struggles of black Americans with uncommon lyrical
richness, theatrical density and emotional heft, in plays that give
vivid voices to people on the frayed margins of life' New York
Times In Ma Rainey's Black Bottom, the great blues diva Ma Rainey
is due to arrive at a run-down Chicago recording studio with her
entourage to cut new sides of old favourites. Waiting for her are
the black musicians in her band - and the white owners of the
record company. A tense, searing account of racism in jazz-era
America that the New Yorker called 'a genuine work of art'.Fences
centres on Troy Maxson, a garbage collector, an embittered former
baseball player and a proud, dominating father, in 1950s
Pittsburgh. When college athletic recruiters scout his teenage son,
Troy struggles against his young son's ambition, his wife, who he
understands less and less, and his own frustrated dreams. 'A
prolific and successful playwright who confines his themes to
African American culture...August Wilson widened the space for
African American theatre and controlled it for some twenty-fve
years. The level of his achievement is high. This comes powerfully
into view when the play is read, an activity for me that is equal
to, and in some ways more fruitful than, seeing its stage
production.' Toni Morrison'August Wilson has established himself as
the richest theatrical voice to emerge in the U.S.since Tennessee
Williams and Arthur Miller' Time'Wilson is a major writer,
combining a poet's ear for vernacular with a robust sense of humor,
a sure sense for crackling dramatic incident, and a passionate
commitment to a great subject' New York Times
Mladá psychologička Emerie sa práve udomácňuje vo svojej
novoprenajatej newyorskej kancelárii, keď ju prepadne akýsi chlap.
Emerie ho považuje za vlamača, no vysvitne, že tým nepozvaným
hosťom je v skutočnosti ona. Nóbl kancelária patrí právnikovi
Drewovi Jaggerovi, a kým dovolenkoval na Havaji, jeho priestory
prenajal Emerie nejaký falošný realitný agent. Na druhý deň, po
výsluchu na policajnej stanici, sa Drew nad ryšavkou zľutuje a dá
jej ponuku, ktorá sa v jej zlej finančnej situácii neodmieta – môže
zostať v jeho kancelárii, kým si nenájde iné miesto, výmenou za
pomoc pri dvíhaní telefónov. Emerie by mala byť vďačná a držať
jazyk za zubami, lenže keď počuje, aké rady rozdáva tento rozvodový
právnik klientom, ide ju roztrhať. Emerie je totiž manželská
poradkyňa a vzťahy napráva, nie rozvracia. Lenže Drew je nafúkaný,
arogantný, samoľúby chlap, nadšený sám zo seba, a tak sa napätie
medzi nimi stupňuje. Bože, keby aspoň nebol taký príťažlivý! Z
anglického originálu Egomaniac (EverAfter Romance, New York 2017)
preložila Veronika Lovich.
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