*Shortlisted for the Pol Roger Duff Cooper Prize* A Times and
Sunday Times Book of the Year A Wall Street Journal Book of the
Year A Spectator Book of the Year A Times Literary Supplement Book
of the Year A New Yorker Book of the Year ?Some called it a craze.
To others it was a cult. Join prize-winning historian Kathryn
Hughes to discover how Britain fell in love with cats and ushered
in a new era.'Smart, gorgeously written cultural history’ TLS
‘Delightful’ Guardian ‘Excellent’ Spectator ‘Joyous cultural
history’ The Times ‘He invented a whole cat world’ declared H. G.
Wells of Louis Wain, the Edwardian artist whose anthropomorphic
kittens made him a household name.His drawings were irresistible
but Catland was more than the creation of one eccentric
imagination. It was an attitude – a way of being in society while
discreetly refusing to follow its rules. As cat capitalism boomed
in the spectacular Edwardian age, prized animals changed hands for
hundreds of pounds and a new industry sprung up to cater for their
every need.Cats were no longer basement-dwelling pest-controllers,
but stylish cultural subversives, more likely to flaunt a
magnificent ruff and a pedigree from Persia. Wherever you found old
conventions breaking down, there was a cat at the centre of the
storm. Whether they were flying aeroplanes, sipping champagne or
arguing about politics, Wain’s feline cast offered a sly take on
the restless and risky culture of the post-Victorian world.No-one
experienced these uncertainties more acutely than Wain himself,
confined to a mental asylum while creating his most iconic work.
Catland is a fascinating and fabulous unravelling of our obsession
with cats, and the man dedicated to chronicling them. ‘Through
humour, elegance and sheer knowledge, Hughes builds something
remarkable’ Literary Review ‘If a Louis Wain cat were reading this
book, he would raise his topper in tribute’ The Times ‘Catland is a
tour de force of (cat) history: sleek, elegant and razor-sharp when
needed’ History Today ‘Excellent … Hughes reveals a fascinating,
forgotten aspect of late Victorian and Edwardian Britain: how the
British fell in love with felines’ Daily Mail ‘An entertaining and
often surprising cultural history … typically delivered in an
inviting spirit of delight’ New Yorker
Skôr než ju Ježiš nazval dcérou… Skôr než sa potajomky dotkla jeho
rúcha… Jej maličký brat zomrel, lebo naňho nedala pozor,
ana Eliannu doľahne ochromujúci pocit viny. Túži po
odpustení, pokúša sa zaslúžiť si ho prácou votcovej dielni,
akeď na rodinu udrie ďalšie nešťastie, Elianna preberá na
svoje plecia vedenie dielne aj starosť omatku asestru.
Vďaka nevšednému talentu dosiahne nevídaný úspech, no ďalšie
pohromy nedajú na seba dlho čakať ajej svet sa rúca. Lekári
sú bezradní a Elianna stráca aj poslednú iskierku nádeje. Až raz…
Po krajine sa rozletí chýr o mužovi, ktorý údajne uzdravuje dotykom
rúk. Po dlhých rokoch utrpenia a po nespočetných sklamaniach sa
Elianna neodváži premeškať šancu… Možno je to jediný človek, ktorý
dokáže zaceliť rany na jej tele, srdci i duši.
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