This anthology of rare stories of crime and suspense brings
together 18 tales from the Golden Age of Detective Fiction for the
first time in book form, including uncollected stories by Ngaio
Marsh and John Dickson Carr. The Golden Age of detective fiction
had begun inauspiciously with the publication of E.C. Bentley's
schismatic Trent's Last Case in 1913, but it hit its stride in 1920
when both Agatha Christie and Freeman Wills Crofts - latterly
crowned queen and king of the genre - had crime novels published
for the first time.They ushered in two decades of exemplary mystery
writing, the era of the whodunit, the impossible crime and the
locked-room mystery, with stories that have thrilled and baffled
generations of readers. This new volume in the Bodies from the
Library series features the work of 18 prolific authors who, like
Christie and Crofts, saw their popularity soar during the Golden
Age. Aside from novels, they all wrote short fiction - stories,
serials and plays - and although most of them have been collected
in books over the last 100 years, here are the ones that got
away...In this book you will encounter classic series detectives
including Colonel Gore, Roger Sheringham, Hildegarde Withers and
Henri Bencolin, Hercule Poirot solves 'The Incident of the Dog's
Ball', Roderick Alleyn returns to New Zealand in a recently
discovered television drama by Ngaio Marsh, and Dorothy L. Sayers'
chilling 'The House of the Poplars' is published for the first
time. With a full-length novella by John Dickson Carr and an
unpublished radio script by Cyril Hare, this diverse collection
concludes with some early 'flash fiction' commissioned by Collins'
Crime Club in 1938.Each mini story had to feature an orange,
resulting in six very different tales from Peter Cheyney, Ethel
Lina White, David Hume, Nicholas Blake, John Rhode and - in his
only foray into writing detective fiction - the publisher himself,
William Collins.
Je ťažké nájsť samého seba a na svete je naozaj množstvo ľudí,
ktorí to nikdy nedokážu. Ally d'Apliese sa však rozhodne, že si
nenechá utiecť život pomedzi prsty. Je rozhodnutá zistiť, kým je, a
tak nasmeruje svoju cestu k mrazivému severu, dostala totiž
indíciu, aby jej hľadanie išlo ľahšie. Tou indíciou je životopis
nórskeho hudobného skladateľa, ktorý žil v 19. storočí. Po príchode
do Nórska ju okúzli hudobný svet, ktorý je s jej životom spojený
viac, ako doteraz tušila. Jej osud sa však začne rozmotávať až
vtedy, keď narazí na Annu Ladvik, nie príliš slávnu speváčku, ktorá
vystúpila v prvom predstavení Griegovej legendárnej hudby na motívy
Ibsenovho Peera Gynta. Až vďaka nej začne Ally rozumieť tomu, kým
vlastne je.
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