A few years ago in the archives of the William Eggleston Artistic
Trust in Memphis, a box was found containing Egglestons earliest
photography remarkably in black and white. The photos were
subsequently exhibited at Cheim &,amp, Read gallery in New York
and sold. This book reunites these photos in their entirety, and
shows the artistic beginnings of a pioneer of contemporary
photography. In the late 1950s Eggleston began photographing
suburban Memphis using high-speed 35 mm black and white film,
developing the style and motifs that would come to shape his
pivotal colour work including diners, supermarkets, domestic
interiors and people engaged in seemingly trivial and banal
situations. Now, fifty years later, all the plates in Before Color
have been scanned from vintage prints developed by Eggleston in his
own darkroom. In the mid 1960s Eggleston discovered colour film and
was quickly satisfied with the results: And by God, it worked. Just
overnight. Eggleston then abandoned black and white photography,
but its fundamental influence on his practice is undeniable.
William Eggleston, born in 1939 in Memphis, is one of the most
important contemporary American photographers. From the 1970s
onwards, his work has significantly contributed to the recognition
of colour photography as an artistic medium. Eggleston has
published his work extensively, and it has been shown in many major
exhibitions around the world. He continues to live and work in
Memphis, and travels considerably for photographic projects.
Je ťažké nájsť samého seba a na svete je naozaj množstvo ľudí,
ktorí to nikdy nedokážu. Ally d'Apliese sa však rozhodne, že si
nenechá utiecť život pomedzi prsty. Je rozhodnutá zistiť, kým je, a
tak nasmeruje svoju cestu k mrazivému severu, dostala totiž
indíciu, aby jej hľadanie išlo ľahšie. Tou indíciou je životopis
nórskeho hudobného skladateľa, ktorý žil v 19. storočí. Po príchode
do Nórska ju okúzli hudobný svet, ktorý je s jej životom spojený
viac, ako doteraz tušila. Jej osud sa však začne rozmotávať až
vtedy, keď narazí na Annu Ladvik, nie príliš slávnu speváčku, ktorá
vystúpila v prvom predstavení Griegovej legendárnej hudby na motívy
Ibsenovho Peera Gynta. Až vďaka nej začne Ally rozumieť tomu, kým
vlastne je.
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