No photographer had a more serious and deeply felt response to the
political and cultural impact of the 1960s and early 1970s than
Richard Avedon, whose iconic portraits of key figures of the era
influenced the course of photography in the decades that followed.
In four monumental photographic murals (reproduced in large
gatefolds) and many related portraits, he portrayed Andy Warhol's
gender-bending Factory, with Viva and Candy Darling, Abbie Hoffman
and the radical agitators of the Chicago Seven, Allen Ginsberg's
family, friends, and fellow artists, and the U.S. Mission Council
in Saigon alongside searing portraits of victims of the Vietnam
War. The photographs are accompanied by images of archival
material, including Avedon's diaries, correspondence, and contact
prints. Major essays explore Avedon's penetrating incursions into
the history and spirit of these tumultuous years.
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