In September 1939, thousands of German soldiers were turned loose
on Poland. In 1940, they descended on Holland, Belgium and France.
In 1941 they went to the Balkans, and then to the USSR. Armed with
Leica and Rolleiflex cameras, some of these soldiers were
officially commissioned as photographers, while others were asked
by their commanders to snap records of events. Among them were
trainees who knew about the Bauhaus, and other, older, men who
could remember Weimar. Some excelled at formal portraiture, others
were storytellers, stylists or humanists who wept at what they saw.
The style and content of their work changed along with the
collective mood after 1942, a change that is discernible in the
photographs themselves. Celebrated author and art historian Ian
Jeffrey - author of How to Read a Photograph and The Photography
Book - has trawled through these albums, picking out the most
compelling of these works to create an intimate record of anonymous
lives experiencing the unprecedented.
Vlado a Helena, manželia, úplne obyčajní, v úplne bežnom manželstve
s jednou dcérou. Zabezpečení, bez konfliktov, bez lásky.
Spolubývajúci, ktorí zabudli, že kedysi to medzi nimi iskrilo.
Helena si to uvedomuje, no vôbec netuší, čo je potrebné zmeniť, aby
to opäť fungovalo. Vlado zatiaľ žije svojimi hobby a zrejme mu nič
nechýba... Helena sa teda posadí za internet a začne blúdiť a
snívať bez neho. Ako dlho sa dá takto žiť? Až dovtedy, kým vám vaše
dieťa, hoci nevedomky, nastaví reálne zrkadlo. Nie je však už
neskoro niečo si z toho vziať?
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