Drawing on the avant-garde movements of both Expressionism and
Surrealism, the women of Abstract Expressionism redefined artistic
practice as an immersive arena for action, process and
consciousness. Their paintings were regarded not as images but as
events. Although the movement officially began in mid-century USA,
it quickly – through myriad means – spread around the world and
became a catalyst for redefining ideas around aesthetics, poetry,
philosophy and politics.This new publication, accompanying a major
European touring exhibition, will include works by 40 artists from
across the globe, from well-known practitioners such as Carmen
Herrera, Etel Adnan, Sandra Blow and Helen Frankenthaler, to
lesser-known names from countries such as Australia, China,
Iceland, Japan, Mexico, Mozambique, Romania and Venezuela: women
who took up the ideas and methodologies of the movement but endowed
them with specific cultural and subjective dimensions.The
catalaogue will include essays by Christian Levett, Joan Marter,
Agustin Perez Rubio and Elizabeth Smith, as well as full colour
illustrations of all the works.
Medvedík by si zo všetkého najviac želal krásnu loptu. Kde by ju
len mohol nájsť? Asi to bude riadna fuška. Jedna guľatá vec je
príliš veľká, druhá malá, ďalšia veľmi ťažká… So žiadnou sa nedá
hrať. Vie vôbec, ako taká pravá lopta vyzerá?
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