Let's get abstract Making sense of revolutionary new forms
Abstraction shook Western art to its core. In the early part of the
20th century, it refuted the reign of clear, indisputable forms and
confronted audiences instead with vivid visual poems devoid of
conventional, representational imagery and characterized instead by
allegories of emotion and sensation. This radical artistic
adventure established new artistic means, as much as narratives.
Expression became characterized by shocking juxtapositions of
color, light, and line. Artist abandoned the conventions of brush
and easel and played with new materials and methods of artistic
gesture commercial paints and housepainter's brushes, working on
unstretched and unprimed canvases, moving the canvas to the floor,
and applying paint with hands. This essential introduction spans
the international breadth, conceptual depth, and seismic impact of
Abstract art with a thorough survey not only of the big names such
as Picasso, Klee, Kline, Rothko, and Pollock, but also lesser-known
figures who made equally significant abstract contributions,
including Antoni T pies, K.O. Gotz, Ad Reinhardt, and Sophie
Taeuber-Arp.
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